Thirty-year-old actor Niko feels the need for a higher meaning of existence, through the path of change and escape from the comfort zone.

Niko is a thirty-year-old actor who has a seemingly settled life; he has a stable relationship with a very beautiful woman, he is recognized and followed by his profession, he has friends and colleagues, family... However, he feels that this "comfort" has begun to kill him slowly. He needs a change. He wants to become a film author, to direct small film stories about people and their lives. That's why he fixated on the camera and observes the world through its lens. He captures the simple and unimportant secrets of a not-so-mysterious everyday life, recording his surroundings, while he remains behind the camera. But his need for change does not meet with the approval of his closest ones. The fiancée believes that it's time to settle down, think about family and children, and not fantasize about a movie. At work, after he reveals his thoughts to the director, he also runs into a "wall". His friends (colleagues) are commenting behind his back that it's just the ambition and the big ego. Parents, stuck in the routine of their lives, with an iPhone in their pocket and one foot in the 19th century, do not even understand the real needs of their child. Realizing that he doesn't get what he needs appreciation of others and that the only thing on which he can focus the camera lens is literally his life (he will then turn the camera towards himself for the first time), he leaves everything and sets off to a lonely island "for new hope, for the smell of flowers, among simple people...". He will spend a few months on the island, living a completely different life, without much external pressure, except the pressure will now appear within himself.

Tridesetogodišnji glumac Niko osjeća potrebu da pronađe viši smisao postojanja, kroz promjene i izlazak iz zone komfora.

Niko je tridesetogodišnji glumac koji ima naizgled srećan život; ima stabilan odnos sa veoma lijepom ženom, prepoznat je u svojoj profesiji, ima prijatelje i kolege, porodicu... Međutim, on osjeća da je ta "utjeha" počela da ga polako ubija. Potrebna mu je promjena. Želi da postane filmski autor, da režira male filmske priče o ljudima i njihovim životima. Zato se fiksirao na kameru i posmatra svijet kroz njen objektiv. On hvata jednostavne i nevažne tajne ne tako misteriozne svakodnevice, snimajući svoju okolinu, dok ostaje iza kamere. Ali njegova potreba za promjenom ne nailazi na odobravanje njegovih najbližih. Vjerenica vjeruje da je vrijeme da se skrasi, razmišlja o porodici i djeci, a ne mašta o filmu. Na poslu, nakon što otkrije svoje misli reditelju, i on naleti na "zid". Njegovi prijatelji (kolege) komentarišu iza njegovih leđa da je to samo ambicija i veliki ego. Roditelji, zaglavljeni u rutini svog života, sa iPhone-om u džepu i jednom nogom u 19. vijeku, čak i ne razumiju stvarne potrebe svog djeteta. Shvativši da ne dobija ono što mu je potrebno - uvažavanje drugih - i da je jedina stvar na koju može da fokusira objektiv kamere bukvalno njegov život (tada će prvi put okrenuti kameru prema sebi), on ostavlja sve i kreće na usamljeno ostrvo "za novom nadom, za mirisom cvijeća, među jednostavnim ljudima...". On će provesti nekoliko mjeseci na ostrvu, živeći potpuno drugačijim životom, bez mnogo spoljašnjeg pritiska, osim što će se pritisak sada pojaviti u njemu.