Female Filmmakers

The Witch Between Us

Vještica među nama

the-witch-between-us
Director:
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Edlira Zaloshnja (Edlira Zalošnja)
Writer:
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Enida Bogdani (Enida Bogdani)
Producer:
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Enida Bogdani (Enida Bogdani)
Genre:
Horror, family drama (Horor, porodična drama)
Co-Producers:
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Logline:
A woman of Albanian descent who marries the love of her life is on a quest for the family and belonging she never had. Little does she know that her husband's family has a long history of sacrificing wives to an ancestral witch, and now she fears that even true love will not save her from becoming its next victim.
Synopsis:
Zoe, a twenty-eight-year-old philosophy professor and second-generation daughter of Albanian immigrants, has grown up between cultures and between two emotionally irresponsible parents who never created a stable home. Beneath her control lies a simple longing: to belong completely to a family of her own. She believes she has found that home with Aiden Jacob, an older, gentle man whose elegant and tightly connected family appears to embody everything she has missed. After their marriage, however, Zoe begins seeing a mysterious woman named Isobel. No one else acknowledges her presence, and Aiden's fear when Zoe speaks the name reveals that the Jacob family's warmth conceals a dark history. For generations, women marrying into the family have been sacrificed as vessels for Isobel, an ancestral witch whose grief and power sustain the family's continuity. Aiden has already lost one wife to the ritual and entered this marriage convinced that love and secrecy could break the cycle. But Isobel chooses women shaped by care, sacrifice, emotional loneliness and self-erasure. As Zoe investigates the family's past, the haunting becomes intimate: she is not merely pursued by Isobel, she is understood by her. At an isolated mountain house connected to the family pact, the Jacobs prepare the final ritual. Aiden finally rebels, but too late. Confronted with Isobel's history, Zoe makes a choice no previous vessel has made: she accepts Isobel willingly, not as surrender but as transformation. What the family intended as another act of female sacrifice becomes the birth of a woman who will no longer disappear for others.
REDITELJ:
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Edlira Zaloshnja (Edlira Zalošnja)
SCENARISTA:
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Enida Bogdani (Enida Bogdani)
PRODUCENT:
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Enida Bogdani (Enida Bogdani)
ŽANR:
Horror, family drama (Horor, porodična drama)
Koproducent:
KOProdUKCIJSKE Kompanije:
Logline:
Žena albanskog porijekla, koja se udaje za ljubav svog života, traga za porodicom i pripadanjem koje nikada nije imala. Ne sluti da porodica njenog supruga ima dugu istoriju žrtvovanja supruga drevnoj vještici, a sada strahuje da je ni prava ljubav neće spasiti da postane njena sljedeća žrtva.
SInopsis:
Zoi, dvadesetosmogodišnja profesorica filozofije i kćerka albanskih iseljenika iz druge generacije, odrasla je između kultura i između dvoje emotivno neodgovornih roditelja koji nikada nisu stvorili stabilan dom. Ispod njene kontrole krije se jednostavna čežnja: da u potpunosti pripadne sopstvenoj porodici. Vjeruje da je taj dom pronašla sa Ejdenom Džejkobom, starijim, nježnim čovjekom čija elegantna i čvrsto povezana porodica izgleda kao oličenje svega što je njoj nedostajalo. Nakon vjenčanja, Zoi počinje da viđa tajanstvenu ženu po imenu Izobel. Niko drugi ne priznaje njeno prisustvo, a Ejdenov strah kada Zoi izgovori to ime otkriva da toplina porodice Džejkob krije mračnu istoriju. Generacijama unazad, žene koje su se udale u tu porodicu žrtvovane su kao posude za Izobel, drevnu vješticu čija tuga i moć održavaju kontinuitet loze. Ejden je već izgubio jednu suprugu u ritualu i u ovaj brak ušao je uvjeren da ljubav i tajna mogu prekinuti krug. Ali Izobel bira žene oblikovane brigom, žrtvom, emotivnom usamljenošću i samoodricanjem. Kako Zoi istražuje prošlost porodice, opsjedanje postaje intimno: Izobel je ne progoni samo, ona je razumije. U izolovanoj planinskoj kući vezanoj za porodični pakt, Džejkobovi pripremaju posljednji ritual. Ejden se konačno pobuni, ali prekasno. Suočena sa Izobelinom istorijom, Zoi donosi odluku kakvu nijedna posuda prije nje nije donijela: prihvata Izobel svojevoljno, ne kao predaju, već kao preobražaj. Ono što je porodica zamislila kao još jedan čin ženske žrtve postaje rođenje žene koja više neće nestajati zarad drugih.