In Development

Velora Morn

Velora Morn

velora-morn
Director:
No items found.
Ivan Salatić
Writer:
No items found.
Ivan Salatić
Producer:
No items found.
Dušan Kasalica, Ivan Salatić
Genre:
Drama
Co-Producers:
Co-Production Companies:
Logline:
After losing her beloved friend, Nadja leaves home and becomes the assistant to a reclusive poet, Gabriele, in the town of Velora Morn. In a house filled with silence and shadows, the boundaries between reality and the inner world blur as Nadja takes on Gabriele’s voice and grief. Facing her becomes a struggle with her own identity – and a path toward a new form of presence.
Synopsis:
After losing a close friend, Nadja leaves her pregnant sister’s home and accepts a job as assistant to the poet Gabriele, a former diplomat living in seclusion in the enigmatic town of Velora Morn. The seemingly peaceful house, steeped in desert silence, becomes a space where Nadja gradually loses her sense of self. Gabriele speaks of grief for her missing son, dictating letters to no one. Nadja begins to adopt her words, gestures, and thoughts. Struggling to preserve the illusion of control, she confronts Gabriele—unaware that Gabriele is a projection of her own being. The struggle between the two women becomes a struggle between two identities.
REDITELJ:
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Ivan Salatić
SCENARISTA:
No items found.
Ivan Salatić
PRODUCENT:
No items found.
Dušan Kasalica, Ivan Salatić
ŽANR:
Drama
Koproducent:
KOProdUKCIJSKE Kompanije:
Logline:
Nakon gubitka voljene prijateljice, Nađa napušta dom i postaje pomoćnica povučenoj pjesnikinji Gabrijeli u gradu Velora Morn. U kući ispunjenoj tišinom i sjenkama, granice između stvarnosti i unutrašnjeg svijeta počinju da se brišu, dok Nađa preuzima Gabrijelin glas i tugu. Suočavanje s njom pretvara se u borbu s vlastitim identitetom i put ka novom obliku postojanja.
SInopsis:
Nakon smrti bliske prijateljice, Nađa napušta dom svoje trudne sestre i prihvata posao pomoćnice pjesnikinji Gabrijeli, bivšoj diplomatkinji koja živi povučeno u tajanstvenom gradu Velora Morn. Naizgled mirna kuća, obavijena pustinjskom tišinom, postaje prostor u kojem Nađa polako gubi osjećaj o sopstvenom postojanju. Gabrijela govori o žalosti za nestalim sinom, diktirajući pisma nikome. Nađa počinje da usvaja njene riječi, pokrete i misli. U pokušaju da održi privid kontrole, suočava se s Gabrijelom, nesvjesna da je ona odraz njenog vlastitog bića. Borba između dvije žene prerasta u borbu između dva identiteta.